Craft desk · Istanbul
Yusuf Demir
Craft correspondent
Yusuf Demir reports on the bench: the goldsmiths, casters and setters whose skills predate every institution that now prices their raw material. He grew up around the Grand Bazaar workshops and writes about technique with the specificity of somebody who has been shouted at for holding a torch wrong.
His pieces trace how a craft survives industrial casting, how apprenticeships actually transmit knowledge that was never written down, and why granulation — a technique the Etruscans mastered and Europe then forgot for a millennium — remains a genuine test of a maker's hands.
He also covers the unglamorous economics: scrap flows, bench margins, and what happens to a workshop district when rent rises faster than the gold price.
Stories by Yusuf
Physical Demand · 3 August 2026
The Wedding-Season Bid: How Jewellery Demand Sets the Floor
Half the world's gold is worn, not stored. In India and China that distinction barely exists — and the buying behaviour it produces is the most reliably contrarian force in the entire market.
16 min read
Standards · 22 July 2026
Hallmarks and Assay: How Anyone Proves Gold Is Gold
A hallmark is one of the oldest consumer protection technologies in continuous use. It is also, on close inspection, a small masterpiece of institutional design — and it is being quietly eroded.
12 min read
Craft & Culture · 5 June 2026
The Alchemy of Craft: What Goldsmiths Know That Machines Don't
Gold's working properties are so extreme they border on the absurd — one gram drawn into three kilometres of wire. Inside a trade where the tools have barely changed and the hands are irreplaceable.
11 min read
